#420 – I Am Cuba, (Soy Cuba), 1964, Mikhail Kalatozov


An unabashed exercise in cinema stylistics, I Am Cuba is pro-Castro/anti-Batista rhetoric dressed up in the finest clothes. The film’s four dramatic stories take place in the final days of the Batista regime; the first two illustrate the ills that led to the revolution, the third and fourth the call to arms which cut across social and economic lines.
#421 – Mean Streets, 1973, Martin Scorsese
#422 – The Mother and the Whore, (La maman et la putain), 1973, Jean Eustache
#423 – Memories of Murder, (살인의 추억), 2003, Bong Joon-ho
#424 – This Is Spinal Tap, 1984, Rob Reiner
#425 – Love Exposure, (愛のむきだし), 2008, Sion Sono
#426 – Red Beard, (赤ひげ), 1965, Akira Kurosawa
#427 – Amélie, (Le Fabuleux Destin d’Amélie Poulain), 2001, Jean-Pierre Jeunet
#428 – Yearning, (乱れる), 1964, Mikio Naruse
#429 – The Great Dictator, 1940, Charlie Chaplin
