#239: Ran

8wlya9lipqrrhdnddfaqq2hdvwm#239 – Ran, (), 1985, Akira Kurosawa
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With Ran, legendary director Akira Kurosawa reimagines Shakespeare’s King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa’s late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

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#257: The Hidden Fortress

qzmpnwqgmbjtvgiuqbdmfsdkw7m#257 – The Hidden Fortress, (隠し砦の三悪人), 1958, Akira Kurosawa
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Japanese peasants Matashichi and Tahei try and fail to make a profit from a tribal war. They find a man and woman whom they believe are simple tribe members hiding in a fortress. Although the peasants don’t know that Rokurota is a general and Yuki is a princess, the peasants agree to accompany the pair to safety in return for gold. Along the way, the general must prove his expertise in battle while also hiding his identity.

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#329: Throne of Blood

idmeamzd3eyxfck9exvoddteb7e#329 – Throne of Blood, (蜘蛛巣城), 1957, Akira Kurosawa
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Returning to their lord’s castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit’s prophecy comes true, Washizu’s scheming wife, Asaji, presses him to speed up the rest of the spirit’s prophecy by murdering his lord and usurping his place. Director Akira Kurosawa’s resetting of William Shakespeare’s “Macbeth” in feudal Japan is one of his most acclaimed films.

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#413: The Bad Sleep Well

z0lhz121uaqa31rueu1monafb5w#413 – The Bad Sleep Well, (悪い奴ほどよく眠る), 1960, Akira Kurosawa
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In this loose adaptation of “Hamlet,” illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi’s father. It is then that Nishi unleashes his plan to avenge his father’s death.

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#426: Red Beard

1xrgdudw5dfwntl3pelbnhplnvo#426 – Red Beard, (赤ひげ), 1965, Akira Kurosawa
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Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

#504: Sanjuro

4lth93lp0ewq9fjsgbjuquxste9#504 – Sanjuro, (椿三十郎), 1962, Akira Kurosawa
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Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa’s tightly paced, beautifully composed “Sanjuro.” In this companion piece and sequel to “Yojimbo,” jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan’s evil influences, and in the process turns their image of a proper samurai on its ear.

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#693: Kagemusha

af9d6iuplixhd9g3vviw2xgl2e2#693 – Kagemusha, (影武者), 1980, Akira Kurosawa
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Akira Kurosawa’s lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.