#918: Good Morning

qpimwwgwqcqw5rskfknwknhmle3#918 – Good Morning, (お早よう), 1959, Yasujirō Ozu
Japan

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But… to gently satirize consumerism in postwar Japan.

#919: Battles Without Honor and Humanity: Proxy War

9ucid2y7chfzps3z15saodx5ei7#919 – Battles Without Honor and Humanity: Proxy War, (仁義なき戦い 代理戦争), 1973, Kinji Fukasaku
Japan

Shozo Hirono has managed to separate from the Yamamori family and create his own small family, and extend his circle of acquaintances. These new friendships include a powerful underboss of the Muraoka family, Noboru Uchimoto.

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