#176 – Black God, White Devil, (Deus e o Diabo na Terra do Sol), 1964, Glauber Rocha

Set in the drought-plagued Brazilian badlands of the 1940s, Black God, White Devil explores the climate of superstition, physical and spiritual terrorism, and fear that gripped the country. The central characters, Manuel and Rosa, are on the run, and move credulously from allegiance to allegiance until they finally learn that the land belongs neither to god nor devil, but to the people themselves. The film’s storyline, somewhere between folk ballad and contemporary myth, contains a multitude of references to Brazilian history and culture.
#207 – Intentions of Murder, (赤い殺意), 1964, Shōhei Imamura
#272 – Goldfinger, 1964, Guy Hamilton

#278 – A Hard Day’s Night, 1964, Richard Lester
#303 – The Gospel According to Matthew, (Il vangelo secondo Matteo), 1964, Pier Paolo Pasolini

#341 – The Umbrellas of Cherbourg, (Les parapluies de Cherbourg), 1964, Jacques Demy
#394 – Pale Flower, (乾いた花), 1964, Masahiro Shinoda
#420 – I Am Cuba, (Soy Cuba), 1964, Mikhail Kalatozov

#428 – Yearning, (乱れる), 1964, Mikio Naruse
#458 – A Fistful of Dollars, (Per un pugno di dollari), 1964, Sergio Leone


