#314: Persepolis

ly7n0kueoffnfxqpwetc1zcfyyt#314 – Persepolis, 2007, Vincent Paronnaud & Marjane Satrapi
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In 1970s Iran, Marjane ‘Marji’ Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah’s defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

Jumbo Cactuar JUMBO CACTUAR APPROVED FILMJumbo Cactuar

#320: Jean de Florette

a4cudymm5wgav0s6pkqs1wfp06g#320 – Jean de Florette, 1986, Claude Berri
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In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter’s hearts, they think only of getting the water.

#325: Three Colours: Blue

fgzygqwt2yggolqa747dwgdvhrf#325 – Three Colors: Blue, (Trois couleurs : Bleu), 1993, Krzysztof Kieślowski
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Julie is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier, an old friend who harbors a secret love for her, and who could draw her back to reality.

#339: Napoleon

5b1rqra5qsfqcgvserrkz9c9chu#339 – Napoleon, (Napoléon), 1927, Abel Gance
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A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.