#415: Blow-Up

6btmsk8nrosamcq6miv4xp8ix5t#415 – Blow-Up, 1966, Michelangelo Antonioni
gbitus

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he accidentally captures on film the commission of a murder. The fact that he has photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together.

#458: A Fistful of Dollars

akh1xxpz4glspjiei9z65ue3cn0#458 – A Fistful of Dollars, (Per un pugno di dollari), 1964, Sergio Leone
itesde

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

Jumbo Cactuar JUMBO CACTUAR APPROVED FILMJumbo Cactuar

#494: Le Samouraï

niiwdnvldn8av2hqwcxjjabhm3x#494 – Le Samouraï, 1967, Jean-Pierre Melville
frit

In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean‑Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology.