#117 – Fanny and Alexander, 1982, Ingmar Bergman
As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.
#136 – Lilya 4-ever, (Lilja 4-Ever), 2002, Lukas Moodysson
Lilya lives in poverty and dreams of a better life. Her mother moves to the United States and abandons her to her aunt, who neglects her. Lilya hangs out with her friends, Natasha and Volodya, who is suicidal. Desperate for money, she starts working as a prostitute, and later meets Andrei. He offers her a good job in Sweden, but when Lilya arrives her life quickly enters a downward spiral.
#196 – Au Hasard Balthazar, 1966, Robert Bresson
A profound masterpiece from one of the most revered filmmakers in the history of cinema, Robert Bresson’s Au hasard Balthazar follows the donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly. Through Bresson’s unconventional approach to composition, sound, and narrative, this simple story becomes a moving parable about purity and transcendence.
#220 – Wild Strawberries, (Smultronstället), 1957, Ingmar Bergman
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor’s own first love.
#294 – Let the Right One In, 2008, Tomas Alfredson
Set in 1982 in the suburb of Blackeberg, Stockholm, twelve-year-old Oskar is a lonely outsider, bullied at school by his classmates; at home, Oskar dreams of revenge against a trio of bullies. He befriends his twelve-year-old, next-door neighbor Eli, who only appears at night in the snow-covered playground outside their building.
#446 – Cries and Whispers, (Viskningar och rop), 1972, Ingmar Bergman
As Agnes slowly dies of cancer, her sisters are so deeply immersed in their own psychic pains that they can’t offer her the support she needs. Maria is wracked with guilt at her husband’s suicide, caused by his discovery of her extramarital affair. The self-loathing, suicidal Karin seems to regard her sister with revulsion. Only Anna, the deeply religious maid who lost her young child, seems able to offer Agnes solace and empathy.
#453 – Breaking the Waves, 1996, Lars von Trier
In a small and conservative Scottish village, a woman’s paralytic husband convinces her to have extramarital intercourse so she can tell him about it and give him a reason for living.
#515 – Dogville, 2003, Lars von Trier
A barren soundstage is stylishly utilized to create a minimalist small-town setting in which a mysterious woman named Grace hides from the criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace’s status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.
#553 – Melancholia, 2011, Lars von Trier
Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.
#562 – Scenes from a Marriage, (Scener ur ett äktenskap), 1974, Ingmar Bergman
Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he’s having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.
Jumbo Cactuar Film Index 