#539: Hot Fuzz

9eip6fbnkx4t6efqygwgl5wwbhf#539 – Hot Fuzz, 2007, Edgar Wright
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As a former London constable, Nicholas Angel finds it difficult to adapt to his new assignment in the sleepy British village of Sandford. Not only does he miss the excitement of the big city, but he also has a well-meaning oaf for a partner. However, when a series of grisly accidents rocks Sandford, Angel smells something rotten in the idyllic village.

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#546: The Terminator

xdi5egp8p19zpdgl73hola7t1gi#546 – The Terminator, 1984, James Cameron
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In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the “Terminator” back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?

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#591: Repulsion

wnp7mo2rfeccq6bd6mlyvk5uqch#591 – Repulsion, 1965, Roman Polanski
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In Roman Polanski’s first English-language film, beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.

#595: Brief Encounter

vl3ovpep84pm90h4xokkngpl8je#595 – Brief Encounter, 1945, David Lean
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Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.

#607: Distant Voices, Still Lives

otuheofokiaolqpggx9zakgafw5#607 – Distant Voices, Still Lives, 1988, Terence Davies
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The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.